In the alexanedr essay, Mendelssohn makes a number of points that will become central to the subsequent German discussion of the sublime, especially in Kant. He wants rather to make the ideas he awakens in us so vivid that at the moment we believe that we feel the real impressions which the objects of these ideas would produce in us. Baumgarten, The Man Who ‘Invented’ Aesthetics | A R T L▼R K Given perceivers like us, beauty is coextensive with or emergent from perfection, but in a universe without such perceivers perfection would not be equivalent to beauty. The Germans are the only people who presently have come to use the word aesthetic to designate what others call the critique of taste.

It was in his own mind the artist was to search for the strength of spirit with which he marked his marble. Nine years later, in his Critique of JudgmentKant conformed to Baumgarten’s new usage and employed the word aesthetic to mean the judgment of taste or the estimation of the beautiful. Winckelmann’s second point is that the Greek climate and way of life were conducive to the development of art. But he also emphasized that aesthetic experience is an intrinsically enjoyable and therefore valuable experience of the unhindered activity of the mind. In Herder’s view, these distinctions are artificial and the characterization of Baumgarten’s method in particular is unfair. On the 26th of May, German philosopher Alexander Gottlieb Baumgarten was born in Frankfurt (Oder), Brandenburg. Alexander Baumgarten was the first who used the word.

The theory of aesthetics started controversies over its legitimate existence as a fully developed science. Aesthetica1 seems to be familiar in German. Although the content of Alexander Gottlieb Baumgarten’s.

Baumgarten aesthetics pdf to word